{"id":886,"date":"2018-12-04T17:36:58","date_gmt":"2018-12-04T14:36:58","guid":{"rendered":"http:\/\/hradoli.com\/en\/?p=886"},"modified":"2018-12-15T22:21:13","modified_gmt":"2018-12-15T19:21:13","slug":"sorrowful-pierrot-back-home-part-2","status":"publish","type":"post","link":"https:\/\/hradoli.com\/en\/sorrowful-pierrot-back-home-part-2\/","title":{"rendered":"Sorrowful Pierrot. Back Home, part 2"},"content":{"rendered":"<p>Vertynskyi could find the right key to the spectators\u2019 hearts wherever he was: in many cities of Europe and America. In China, the great artist met his wife Lidiia who became his companion for the rest of his life. In 1943, Vertynskyi finally got a permission to return to his homeland. Did the return to the totalitarian state make the sad Pierrot Vertynskyi happy? About this \u2013\u00a0 in the documentary series \u201cThe Game of Fate\u201d by VIATEL Studio narrated by Natalka Sopit.<\/p>\n<ul>\n<li><em>Script by<\/em>\u00a0Vasyl Obraz<\/li>\n<li><em>Narrations<\/em>\u00a0Natali Sopit, Taras Denysenko<\/li>\n<li><em>Directed by<\/em>\u00a0Vasyl Obraz<\/li>\n<li><em>Director of photography<\/em> Georgij Kryvoshejenko<\/li>\n<li><em>Sound<\/em>\u00a0 Oleg Golovoshkin<\/li>\n<li><em>Editor<\/em>\u00a0 Oleg Tudoran<\/li>\n<li><em>Make up<\/em>\u00a0Zhanna Betrozova<\/li>\n<li><em>Costume<\/em>\u00a0LAURA\u00a0 ASHLEY <strong>\u2122<\/strong><\/li>\n<li><em>Music<\/em>\u00a0De Wolfe Music<\/li>\n<li><em>Camera<\/em>\u00a0Oleksandr Demydenko<\/li>\n<li><em>Executive producer<\/em> Halyna Kryvorchuk<\/li>\n<li><em>Producer<\/em>\u00a0Vasyl Viter<\/li>\n<\/ul>\n<h3><strong>The shooting took place at:<\/strong><\/h3>\n<p>&#8211; at the Les Kurbas National Centre of Theatrical Arts<br \/>\n&#8211; in the restaurant &#8220;Vahon&#8221; (editor&#8217;s comment: The Wagon) in Kyiv<\/p>\n<h3><strong>We<\/strong> <strong>used<\/strong><strong>:<\/strong><\/h3>\n<p>&#8211; the songs are performed by O. Vertynskyi<br \/>\n-the H.S. Pshenychnyi Central State Film and Photo Archive of Ukraine documents<br \/>\n&#8211; the fragments of the films &#8220;Sadko&#8221;, &#8220;The Riot of the Doomed&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Vertynskyi could find the right key to the spectators\u2019 hearts wherever he was: in many cities of Europe and America. In China, the great artist met his wife Lidiia who became his companion for the rest of his life. In 1943, Vertynskyi finally got a permission to return to his homeland. Did the return to [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":960,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5,9],"tags":[],"class_list":["post-886","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musicians","category-theatre-cinema-personalities"],"acf":[],"_links":{"self":[{"href":"https:\/\/hradoli.com\/en\/wp-json\/wp\/v2\/posts\/886","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hradoli.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hradoli.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hradoli.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hradoli.com\/en\/wp-json\/wp\/v2\/comments?post=886"}],"version-history":[{"count":6,"href":"https:\/\/hradoli.com\/en\/wp-json\/wp\/v2\/posts\/886\/revisions"}],"predecessor-version":[{"id":1202,"href":"https:\/\/hradoli.com\/en\/wp-json\/wp\/v2\/posts\/886\/revisions\/1202"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hradoli.com\/en\/wp-json\/wp\/v2\/media\/960"}],"wp:attachment":[{"href":"https:\/\/hradoli.com\/en\/wp-json\/wp\/v2\/media?parent=886"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hradoli.com\/en\/wp-json\/wp\/v2\/categories?post=886"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hradoli.com\/en\/wp-json\/wp\/v2\/tags?post=886"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}